Park Shin Hye Alive Full Movie

Starring Yoo Ah-in and Park Shin-hye, it is based on the 2019 script Alone by Matt Naylor (itself becoming another film), who co-adapted his script with Cho. The film revolves around a video game live streamer's struggle for survival as he is forced to stay alone at his apartmt in Seoul during a zombie apocalypse. It was released in South Korea on June 24, 2020,

Oh Joon-woo is alone in his family's apartmt wh zombies begin to attack and infect people outside. Wh he inspects the apartmt hallway, a neighbour barges in. He begs to stay, but becomes a zombie and attacks Joon-woo. Joon-woo pushes him out and locks the door, th watches a large zombie attack his neighbour through the peephole. Joon-woo th receives messages from his parts telling him they are safe.

Joon-woo blocks his front door with the fridge and posts a rescue request on social media. By attaching his phone to a drone, he scouts his neighbourhood and realizes it is now overrun. Though the emergcy power stays on, Joon-woo gradually loses access to phone networks, the internet, and running water.

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One night, Joon-woo sees zombies taking down a police officer outside. He screams at them, leading a zombie to break into the apartmt and knock over the fridge, destroying the food. Joon-woo lures it into falling off the balcony. He resorts to drinking liquor to survive, but hallucinates about his family due to hunger and thirst. Wh the phone network is momtarily restored, Joon-woo receives a voicemail from his family recording their refuge being overrun. His rage causes him to leave the apartmt and attack zombies, but wh a horde attacks, he flees and barely manages to sneak back inside.

Joon-woo attempts to hang himself, but stops wh he sees a laser pointer's light. The signal comes from Kim Yoo-bin, a survivor living in the opposite apartmt building. Yoo-bin tries to set up a zip line betwe their apartmts by tying a cable to her table and throwing the other d to Joon-woo, but it lands in the street. Joon-woo uses his drone to set up another line successfully, but an infected firefighter pulls on the first cable, causing Yoo-bin's table to fly across her apartmt, knock her out, and lodge into her balcony railing. The zombie starts climbing the cable. Joon-woo distracts him by sacrificing his drone, giving Yoo-bin ough time to wake up and kill the zombie.

Joon-woo raids his neighbour's unit for food, clothing, and walkie-talkies, narrowly avoiding his zombified neighbour. He sds a walkie-talkie to Yoo-bin, and the two talk and bond. Suddly, the infected hordes become agitated and a nervous Yoo-bin accidtally knocks over a shelf. The noise causes zombies to converge at her door. Joon-woo distracts them by calling the unit adjact to hers.

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Yoo-bin says the 8th floor of Joon-woo's apartmt looks empty. The pair gear up, rappel from their balconies, and fight their way to the 8th floor, but the doors are locked and the zombies have followed them. Suddly, a stranger emerges from the last suite on the floor and saves them. He gives them food and water, but it is drugged, and Joon-woo falls asleep. The stranger binds the pair's wrists and locks Yoo-bin in a bedroom with his restrained, infected wife. Joon-woo wakes up and threats the stranger, but he releases his wife's restraints from outside the bedroom. Once Yoo-bin goes silt, the stranger ops the bedroom door, only to find Yoo-bin having wrapped the infected wife's head in fabric. The infected wife attacks her husband, and Yoo-bin shoots them both.

The gunshots attract more zombies. Yoo-bin asks Joon-woo to kill her before they get in. As he hesitates, they hear helicopters outside. The pair rush to the rooftop, chased by the infected. Just before they are overwhelmed, an army helicopter holds off the zombies and carries the pair to safety. A voiceover by an anchor explains wireless networks are being restored and the military is rescuing survivors who made social media posts. The film ds with Joon-woo's social media post's hashtag #StayAlive changing its wording to #Alive.

Based on the original script #Alone of Hollywood screwriter Matt Naylor, who worked on the American documtary series Small Business Revolution: Main Street and the short film What It’s Like. Director Cho Il-hyung (also known as Il Cho) and Naylor adapted the screplay together for the Korean market.

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The full musical score was composed by Kim Tae-sung which he co-arranged with Choi Jung-in, Shin Hyun-pil, Park Sang-woo and Yoo Chae-young.

Following its release, #Alive tered the all-time Netflix top 10 non-glish language movies but has since dropped out with 54.62 million hours watched in the first 28 days.

On its oping day in South Korea, #Alive drew in a total of 204, 071 viewers and took 62% of the box office, marking the highest first-day viewership of any film since February 2020 after the outbreak of the COVID-19 pandemic in South Korea.

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On the fifth day of its release, #Alive surpassed 1 million admissions, and during the first weekd of its release, it garnered 1, 001, 802 viewers, securing the first place at the box office for its first weekd. It became the first film to surpass 1 million since February 2020.

It also ranked first at the box office for the first three weekds, and has achieved over 1, 903, 992 admissions in South Korea as of December 2020.

The film premiered on Netflix on 8 September 2020, and two days after release, it achieved global first place on the platform. #Alive topped the Netflix daily chart in 35 countries, including the United States, France, Spain, Swed, Russia, Australia, Pakistan, and Canada. It became the first Korean film to top Netflix Movies Worldwide chart.

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By December 2020, #Alive was in the top 10 list in 90 countries, making it one of the most-loved titles globally on Netflix in 2020 and also the most popular horror title of 2020 across Asia.

On Rott Tomatoes, the film holds an approval rating of 88% and an average rating of 6.6/10, based on 24 reviews. The conssus says Well-acted, guinely unsettling, and occasionally ev funny, #Alive proves the crowded zombie gre still has fresh stories to tell.

Marian Phillips from Scre Rant wrote, #Alive accurately captures the same panic, fear, uncertainty, loneliness, and isolation expericed by many during the pandemic's early days. [...] By taking a concept unfamiliar to the sub-gre, #Alive transforms how zombie movies can be handled as well as providing an exploration of the differt circumstances individuals find themselves wh dealing with the apocalypse.

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Anthony Kao from Cinema Escapist suggested, #Alive is an tertaining zombie flick that seems tailor-made for the time of coronavirus. [...] On top of its empathetic and socially relevant depiction of the Korean millnial condition, #Alive prests a narrative that feels unprettious and accessibly tertaining.

The New York Times' Elisabeth Vinctelli concluded, #Alive is a nifty little thriller that proves that you can always find signs of life in the most undead of gres. And the finale, far-fetched as it is, suggests that ev a society atomized by isolation can find a connection.