Park Shin Hye Horror Movie


The Call (Korean: 콜 ; RR: Kol), is a 2020 South Korean psychological thriller film directed by Lee Chung-hyun, starring Park Shin-hye and Jeon Jong-seo. Based on the 2011 British and Puerto Rican film The Caller, The Call revolves around Seo-yeon (Park Shin-hye) and Young-sook (Jeon Jong-seo), two wom from differt times who connect through a phone call that interchanges their fates. The film was originally going to be released theatrically but cancelled due to the COVID-19 pandemic.

In 2019, 28-year-old Kim Seo-yeon loses her cellphone while traveling to visit her sick, estranged mother in a rural area. Arriving at her rundown childhood home, she finds a decades-old cordless phone, and through it receives calls from a distressed woman who says she's being tortured by her mother. After investigating the house, Seo-yeon figures out that the woman on the phone, Oh Young-sook, is living in the same house but in 1999. The two are able to communicate across time through the phone, and exchange information about their lives. Young-sook is orphaned and lives with her adoptive mother, who is a shaman, while Seo-yeon lost her father in a fire that she blames her mother, Eun-ae, for.

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Young-sook, acting on information from Seo-yeon, sneaks out of the house to prevt the fire that killed Seo-yeon's father. She is successful, and Seo-yeon's reality changes: her parts are both alive and healthy, and their house is lavish. Young-sook, however, is punished by her mother, and becomes restful that Seo-yeon's life is improved while hers is the same.

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Seo-yeon searches the internet and learns that Young-sook was killed by her mother during an exorcism. During the next phone call, Seo-yeon warns Young-sook, who saves herself and kills her mother instead. Now freed, Young-sook becomes a serial killer. Seo-yeon realizes what has happed wh Young-sook's victims disappear in the prest day. During a phone call, Seo-yeon confronts Young-sook, but inadverttly reveals to her that she'll be arrested.

In 1999, Young-sook is visited by an 8-year-old Seo-yeon and her father, who has come to the house to close their purchase of it. Young-sook kills Seo-yeon's father and takes young Seo-yeon captive. In 2019, Seo-yeon's reality changes again: her father is dead and the house in ev worse condition. Young-sook calls Seo-yeon and tells her to find out how she'll be arrested. At first Seo-yeon feeds Young-sook false info, but wh Young-sook threats to kill Eun-ae next, Seo-yeon breaks into the local police station for the notebook used in 1999. Young-sook taunts Seo-yeon that they're the same wh she reveals that Seo-yeon caused the fire that originally killed her father, and lied about Eun-ae being responsible.

Seo-yeon gives Young-sook the correct info, and her reality changes again: the house is now owned by an older Young-sook, who has continued as a serial killer. The contt of the notebook changes as well, with a note that Eun-ae came to the house with a police officer and made a call on the cordless phone. Seo-yeon waits in the house for the call and uses it to warn Eun-ae.

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In 1999, Young-sook kills the police officer and chases Eun-ae. In 2019, older Young-sook reveals herself and similarly chases Seo-yeon. Eun-ae uses the phone again, and Seo-yeon picks up and courages her to fight. Eun-ae seemingly sacrifices herself to kill Young-sook, and 2019 changes, with the house becoming derelict and old Young-sook disappearing. Seo-yeon leaves the house and is reunited with Eun-ae, who is alive and well, albeit with scars.

In a mid-credits sce, older Young-sook calls her younger counterpart to warn her about Eun-ae and the police officer arriving, allowing Young-sook to alter her own history, resulting in the erasing of Eun-ae from prest day Seo-yeon's side. The sce th cuts to the torture room where a person tied to a chair and covered in a white cloth is screaming for help. The cloth is removed, revealing a frighted adult Seo-yeon, once again a captive of Young-sook.

On the review aggregation website Rott Tomatoes, the film holds an approval rating of 100% based on 12 reviews, with an average rating of 7.1/10.THE CALL is a new Netflix horror-thriller from South Korea. It has a plot with sci-fi elements in the form of time-travel. Or rather, communicating with the past to change the current future – you need to really pay attention to keep up. Read our full The Call movie review here!

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It’s a real mind-bender in many ways, but it does hold up. Especially since this is a sci-fi story and the movie consistently stays true to the rules and consequences it sets up early on.

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Is carried almost entirely by two characters. Obviously, there are quite a lot of supporting characters as well and they do play big parts. Still, the entire plot and development of the story come from just two characters.

These two characters are Seo-yeon and Young-sook. The story begins once these two discover that they can communicate across a 20-year time-gap using a landline phone in the same house. It’s a very simple plot, but one that involves torture, superstition, murder, and wanting desperately to change events of the past.

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Seo-yeon is the character living in the present, so she’s the one we’re following throughout the story. Seo-yeon is portrayed by Park Shin-hye who does an equally impressive job but she has a bit less to work with compared to Jun Jong-seo. You might recognize Park Shin-hye from the South Korean Netflix zombie movie #Alive (2020).

Young-sook is the one living in 1999, so she’s in the past and is living under very dire circumstances. Young-sook is portrayed brilliantly (you’ll see!) by Jun Jong-seo, who you might recognize from the South Korean movie Burning (2018) co-starring

Park

On Netflix. At first, I did wonder if it was full of plot holes, but the more I think about it, the more I have to acknowledge that it isn’t. In many ways, it handles this element in the same manner that

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As always, when talking about time travel or communicating with the past, we are dealing with a work of science fiction. Or, to put it plainly, there are no rules but those the author makes. Nothing is “real” or “possible” when related to the world we know. But that does not mean there are plot holes.

Still, when working with science fiction, you do have to create some boundaries and guidelines. And you need to stick to those. Something I actually think 

Here, I just want to leave you with this thought; We witness two timelines that are twenty years apart. These two timelines run parallel with one another. Because one is the past, any changes that happen in the past will of course change the future. However, the past isn’t changed until information from the future enables this change.

Alive

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Lee Chung-hyun is the writer and director of this new horror-thriller and sci-fi hybrid. According to IMDb, this is the first feature film for Lee Chung-hyun. However, IMDb tends to be lacking lots of information when it comes to Asian productions, so I don’t know that this is accurate. In either case, this is a damn strong feature film with a solid runtime of 112 minutes.

Personally, I loved how the present was changed again and again to fit in with the changes that happened in the past. With the two timelines running parallel, any changes to the past influence the future in a strange sort of real-time. Also, the way in which the present changes is shown in a rather gorgeous way. Very simple and both uplifting and heartbreaking as the story progresses.

Finally, you have to stick around for the end credits. The story continues into the end credits and doesn’t actually end until during this time which is yet another cruel twist in the tale. Mostly because you will miss this if you don’t continue to pay attention. If you enjoy horror-thrillers with time-warps and serial killers, then

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Plot A woman returns to her former home and finds an old phone that allows her to speak with someone living in the same house 20 years ago.

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I write reviews and recaps on Heaven of Horror. And yes, it does happen that I find myself screaming, when watching a good horror movie. I love psychological horror, survival horror and kick-ass women. Also, I have a huge soft spot for a good horror-comedy. Oh yeah, and I absolutely HATE when animals are harmed in movies, so I will immediately think less of any movie, where animals are harmed for entertainment (even if the animals are just really good actors). Fortunately, horror doesn't use this nearly as much as comedy. And people assume horror lovers are the messed up ones. Go figure!